By Cather Studies,Ann Moseley,John J. Murphy,Robert Thacker
the 1st part takes up Cather’s beginnings together with her overdue nineteenth-century cultural impacts. the second one part explores more than a few discernible direct connections with modern artists (Howard Pyle, Frederic Remington, and Ernest Blumenschein) and others who figured within the making of her texts. The 3rd part makes a speciality of The track of the Lark, a unique that confirms Cather’s shift westward and elaborates her emergent modernism. An epilogue through the editors of The chosen Letters of Willa Cather addresses how the hot availability of those letters has reworked Cather reports. Altogether, those essays element Cather’s shaping of the area of the early 20th century and later right into a singular modernism born of either inherited and more moderen cultural traditions.
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Additional resources for Cather Studies, Volume 11: Willa Cather at the Modernist Crux
Cather Studies, Volume 11: Willa Cather at the Modernist Crux by Cather Studies,Ann Moseley,John J. Murphy,Robert Thacker