By Carrie J. Preston
Preston’s paintings has been profoundly formed by means of her education in noh functionality strategy lower than a qualified actor in Tokyo, who taught her to kneel, bow, chant, and undergo the lessons of a conservative culture. After first and foremost assuming noh classes could consider humiliating, Preston discovered herself experiencing the price of and delight in submission to a professional instructor and coaching routine. This cross-cultural trade challenged her assumptions approximately potent instructing, fairly her developments to stress innovation and subversion and disregard the complicated levels of employer skilled by means of lecturers and scholars. It additionally encouraged new views concerning the generative dating among Western writers and eastern performers. Pound, Yeats, Brecht, and others are frequently criticized for his or her Orientalist traits and misappropriation of noh, yet Preston’s research and her personal trip replicate a extra nuanced knowing of cultural exchange.
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Extra resources for Learning to Kneel: Noh, Modernism, and Journeys in Teaching (Modernist Latitudes)
Learning to Kneel: Noh, Modernism, and Journeys in Teaching (Modernist Latitudes) by Carrie J. Preston