By Candida Rifkind
While Canadian historians have studied socialism within the Nineteen Thirties, and even if there were many reviews of yankee and British literary leftists from this era, Comrades and Critics is the 1st full-length examine of Canada's Thirties literary left. difficult dominant perceptions that this decade used to be a lull among the extra celebrated modernist companies of the Twenties and Nineteen Forties, Candida Rifkind argues that the occasions of the Thirties - from mass unemployment, to the dustbowl, to the Spanish Civil struggle - galvanized a iteration of writers, top them to unite inventive perform and political motion in provocative and influential ways.
Analyzing and improving much-neglected poems, performs, manifestoes, and documentaries, Rifkind demonstrates how leftist cultural creation got here to dominate English-Canadian literature by means of the tip of the last decade. She will pay specific consciousness to the numerous function that ladies writers performed during this interval and examines a various workforce of writers that integrated Dorothy Livesay, Anne Marriott, Irene Baird, and Toby Gordon Ryan. those writers negotiated the fight to revolutionize either literature and politics, whereas being topic to the gender hierarchies of socialism and literary modernism that endured lengthy after the thirties got here to an end.
A groundbreaking research in Canadian background and literature, Comrades and Critics is a much-needed exam of an immense and nonetheless influential literary period.
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Additional resources for Comrades and Critics: Women, Literature, and the Left in 1930s Canada
Comrades and Critics: Women, Literature, and the Left in 1930s Canada by Candida Rifkind